For a
start, for the first time this year we got the fan out of the cupboard as the
temperatures in Seville hit 35C during the day and 27C at night. Unusual for
early May.
Secondly, the
trials of five alleged September 11 attackers began at a top security US Army
court room at Guantanamo Bay in Cuba.
There is a
link, I can assure you.
You might
well be thinking that my brain works in a funny way. I mean, after all, I did
manage to find a connection between Star Trek baddies The Borg and Andalucian society
and culture two weeks ago. Far-fetched it may have been. But it was well
thought-out, skillfully analyzed and incredibly insightful, even if I say so
myself.
So this
week, it was frankly a piece of cake for me to see the amazing link between
what appear at first glance to be two of the most unconnected events ever in
the history of the world but also the far-reaching ramifications this link has
the potential to create. You see, you’ve got to look at these things from a
different perspective. And once you do that, the thing that links the two is obvious.
It’s an
accordion. See?
Ok, maybe I
need to fill in a gap or two here and there just so the picture is a bit
clearer. I appreciate my mind works in very lateral ways sometimes, but I
figured that was just down to the fact that I’m special. Or something.
Anyway,
when the weather gets hotter here, more and more people sit outside at cafes
and bars, eating and drinking late into the night. But with this turn in the weather,
and the dusting down of our electric fan, comes too a menace which has remained
essentially dormant for most of the rainy and cold winter months.
It is the
plague of the wandering street musician. The man who spots a crowd of people
outside a bar quietly talking and minding their own business, then rolls up
with his tiny portable amplifier connected to a car battery, both of which are balanced
precariously on an old, battered, metal suitcase trolley, and then proceeds to
serenade the reluctant diners with the same crap song he’s been playing a
hundred times a day at a hundred different cafes every summer for the past ten
years, before going round every table demanding money for the privilege.
You don’t
get a choice. You have to listen to it, whether you like it not. You can’t even
pay him to go away. He just takes it as a sign that you like what he’s doing.
Me and the
wife had the deeply unpleasant pleasure of this form of torture at our local
café on Wednesday morning when a bloke lugging a scratched and ancient-looking
accordion, cranked up the decibels right next to our table. There was nowhere
to run. I hadn’t paid for the drinks yet and I still had a piece of half-eaten
toast on my plate. It was terrifying.
In this
way, the accordion player is very much like the CIA, who have openly admitted
torturing the detainees at Guantanamo Bay, in order to get information out of
them.
Ok, the CIA
torture their victims by water boarding them, that delightful activity where
you pour water down the throat of the victim to give them the feeling they’re
drowning. While I’m clearly not equating the enforced listening to a crap
accordion player as being anything like on the same level as water boarding, the
principle – and the fear - is the same. You can’t get away, you don’t know when
it’s going to end, and you feel compelled to give him something when it’s
finished in the fear that it might all start again.
Now do you
see?
So how do
we tackle this twin-headed monster of evil?
Media reports
said this week that the Guantanamo detainees had refused to answer questions
and had disrupted the court proceedings over the proven claims that they had
been tortured, that the information they had given was under duress and
therefore inadmissible in a court of law. Their protests have so far fallen on
deaf ears. The hate between them and their captors only multiplies.
The
accordion player knows he has a captive audience. He knows he can strike at any
time, without warning and that his victims will be so tortured that they will
feel under duress to give him something in the clear knowledge that their
protests will only make him do it more. Our hate for him only multiplies too.
So you see,
torture achieves nothing. As Martin Luther King once wisely said: “Hate begets
hate. Violence begets violence. Let no man pull you so low as to hate him.
Always avoid violence. The chain reaction of evil must be broken or we shall be
plunged into the dark abyss of annihilation.”
So here’s
my plan of non-violent attack. We send the accordion player to the CIA and
force them to listen to him, so that they can gain a sense of empathy and
ultimately see the pointlessness of torture, as using it automatically loses
you the moral high ground as well as the hearts and minds of decent, reasonable
people. As a result, America’s aggressive foreign policy changes, prompting
al-Qaeda to put down its weapons, after which Israel and the Palestinians realise
it’s all been a waste of energy and embrace each other and even North Korea
says enough is enough and proposes a reunification with the south.
Simple,
isn’t it.
That, or I
fly a plane into the accordion player’s house.
I think it's a great idea to use the accordionists, clappers and spontaneous singers supported by the parking attendants, in favour of human beings. Especially if they leave sapace for those who want to breathe a different air from air conditioning.
ReplyDeleteWow, peace on Earth thanks to a terrible accordion player!!
ReplyDeleteWell, James, you have the most disconcerting path of thinking but we can blame the heat and the lack of sleep for it, can't we?
However, it's very interesting the concept of using noise or bad music like torture. Two or three years ago, a group of musicians complained oficially to US Goverment because their songs had been used for torturing people. CIA used heavy metal, country, rap and even Sesame St. songs. This last one is unforgivable, even for torturers
I completely agree with sofiaja, the heat made you talk nonsense things. But I agree with you in the fact that poor performances affected the city image. The Government of Barcelona conducts a casting in which performers have to pass a certain level. Then they get a license for a year.
ReplyDelete